An
artist lives to express his dreams and visions. To remain independent, the
artist must be more than a craftsman, forging expression in the lens —
he must be part entrepreneur, part impresario. For the past 10 years, Al Rendon
has been both photographer and gallery owner.
In 1997, Al Rendon created Foto Real, a new art space in San Antonio's historic
La Villita, for the express purpose of celebrating the photographic arts.
By that point in his career, Rendon had been part of several group exhibitions,
including a group show at the San Antonio Museum of Art that eventually traveled
throughout the Southwest, and his first solo exhibit, part of FotoSeptiembre
in Monterrey, Mexico. (A detailed list of Al's exhibits may be found in his
arts bio.)
Al renovated the historic space for Foto Real and maintained it amidst La
Villita's tourist traffic (the annual Night in Old San Antonio Fiesta crowds
made for some interesting adventures) and the challenges of hanging art against
stucco walls. Beginning with a small one-room “hole in the wall,”
Al continued to expand Foto Real as it garnered attention and neighboring
areas became available. Within a couple of years, Foto Real doubled in space.
It was a time in San Antonio when the photographic arts were blossoming. Al
was one of a small group of photographers, curators and galleries that worked
to promote Foto Septiembre in San Antonio in 1996. Kathy Vargas curated shows
in galleries and museums throughout the city. However, Foto Real was something
special — a privately owned gallery operated by a photographer who (influenced
by several trips to New York) was determined to show the city not just his
own work, but the global range of photographic arts.
Foto Real's first exhibitor was a Scandinavian photographer transplanted to
the American West. In the ensuing four years, photographers and artists from
Peru, New York, Mexico, Chicago, Mexico and various San Antonio sources were
seen by the San Antonio arts community and a regular parade of tourists visiting
San Antonio's historic village.
Throughout the Foto Real years, Al worked from the gallery, and lived just
south of Alamo Heights in the Mahnke Park neighborhood. In 2001, an historic
building in the burgeoning Southtown Arts District came available. The large,
two-story triangle building at 733 S. Alamo presented an opportunity to live
and work in the same place. Rendon Photography & Fine Arts opened with
Al's Angels, Devils & Saints in February 2002.
In the ensuing five years, the gallery has seen a diverse range of artists
and media. In addition to photography, the gallery has hosted several holiday
craft shows, metalworks, jewelry, floral constructions, paintings and all
kinds of photographic arts. Al has converted his photography to digital archival
prints, and the myriad expressions made possible by digital photography find
welcome on the walls of 733 S. Alamo – Rendon Photography & Fine
Arts.
| Foto Real | ||||
Western Collection |
Tor Måvestrand | July 12 - August 31, 1997 |
||
Los Vibrantes |
Pedro Isztin | September 3 - October 31, 1998 |
||
Jalavida |
Rene Vasquez | July 1 - August 1, 1999 |
||
Passages |
Katherine Brown | July 1 - August 1, 1999 |
||
Amor Nunca Muerta |
David Zamora Casas | November 2 - 29, 1999 |
||
Suenos |
Leticia Huerta | March 17 - April 30, 2000 |
||
Suenos |
Trisch Simonite | March 17 - April 30, 2000 |
||
May Flowers |
Lynn Goldsmith | May 4 - June 18, 2000 |
||
Troubling Portraits |
Kevin Katz | June 23 - August 4, 2000 |
||
Early Sights of Ancient Sites |
Martín Chambi | August 25 - September 20, 2000 |
||
Diversitat |
Various Artists | September 22 - October 18, 2000 |
||
Lives of the Artist |
John Patrick Naughton | October 20 - November 22, 2000 |
||
Photographs |
David Miller | March 23 - May 29, 2001 |
||
Fotos de Mexico |
Various Artists | August 31 - September 30, 2001 |
||
Rendon Photography & Fine Art |
||||
Angels, Devils & Saints |
Al Rendon | February 1 - 28, 2002 | ||
Best of New Work |
Joan Frederick | March 1 - April 30, 2002 | ||
Non Ferrous Metal Art |
Various Artists | June 7 - July 1, 2002 | ||
X: New Works |
Michael Mehl | July 5 - August 1, 2002 | ||
Santo Niño Perdido de Aztlan |
David Zamora Casas | August 2 - August 31, 2002 | ||
in situ |
Pedro Isztin | September 6 - 30, 2002 | ||
Bettie Page |
Anonymous Artists | November 1 - 30, 2002 | ||
Christmas Market 1 |
Various Artists | December 6 - 31, 2002 | ||
Emerging Photographers |
Various Artists | February 7 -- March 1, 2003 | ||
Polaroid Matrix |
Tim Summa | March 7 - April 1, 2003 | ||
Rendon Collection Exhibit |
Various Artists | May 2 - June 30 2003 | ||
Guerra, Paz, Amor, Odio |
Terry A. Ybáñez de Santiago | July 4 - August 31, 2003 | ||
Views at the Edge |
Bruce Shackelford | September 5 - October 31, 2003 | ||
Mini Retrospective |
Al Rendon | November 7 - December 4, 2003 | ||
Christmas Market 2 |
Various Artists | December 5 - 31, 2003 | ||
Full Moon Event |
Various Artists | February 6 - March 1, 2004 | ||
Photogravure |
Willis F. Lee | June 3 - July 31, 2004 | ||
Maya Color |
Jeffrey Becom | September 3 - October 1, 2004 | ||
Entre Quatre Murs |
Nathallie Daoust | September 1 – October 8, 2005 | ||
Of Oracles, Santos & Optimism |
Katherine Brown | November 4 - December 1, 2005 | ||
Deck the Walls |
Various Artists | December 1 - 31, 2005 | ||
Mientras Vagaba por el DF |
Faustinius Deraet | September 1 - October 16, 2006 | ||
Resurrection of Memory |
David Zamora Casas | November 2 - December 1, 2006 |